The Mysterious Origins of Ondel-Ondel: Jakarta’s Giant Puppets Once Used to Ward Off Evil Spirits!

Source Image: cna.id

Ondel-ondel is one of Jakarta’s most recognizable icons, deeply rooted in Betawi culture.

These towering puppets, usually around two meters tall, are often seen in parades, festivals, and traditional celebrations.

But where did ondel-ondel actually come from? What do they represent, and why do they still exist today?

The Early Days of Ondel-Ondel

The origins of ondel-ondel go way back, even before Jakarta became the bustling metropolis we know today.

According to Betawi oral tradition, these giant puppets were never just for entertainment. In the past, they were part of rituals to ward off evil spirits.

Their primary role was spiritual — to protect communities from harm.

At that time, locals believed that ondel-ondel had the power to guard neighborhoods from unseen forces.

Their large, intimidating appearance was designed to scare off evil spirits.

Typically, a pair of male and female puppets would be paraded around the village, accompanied by traditional music such as tanjidor or gambang kromong.

Source Image: senibudayabetawi.com

Male ondel-ondel usually have red faces, symbolizing courage and strength, while the female ones have white faces, representing gentleness and peace.

Their expressions are painted with bold colors, thick eyebrows, and fixed smiles — giving them a distinct, traditional puppet look.

Source Image: jnewsonline.com

Each ondel-ondel is made from woven bamboo, shaped into a human-like form, and dressed in brightly colored Betawi attire. The inside is spacious enough to fit a person who animates the puppet from within.

As times changed, so did the role of ondel-ondel. While they were once used in sacred rituals, today they’re more commonly seen in official events, Betawi-themed weddings, cultural carnivals, and even on the streets — performing to earn a living.

This street performance trend has sparked some debate.

Some believe it cheapens the tradition, making it seem less sacred.

But on the other hand, it also shows that ondel-ondel is still alive and adapting to modern life — even if the context is different.

The Jakarta government and various Betawi cultural groups continue working to preserve the legacy of ondel-ondel.

From cultural festivals and neighborhood competitions to school programs about Betawi art, efforts are ongoing.

Some artisans have even created miniature versions of ondel-ondel as souvenirs for visitors to take home.

Preserving this tradition matters, because ondel-ondel is more than just a giant puppet — it’s a symbol of Betawi identity, rich with historical, cultural, and spiritual meaning.

Ondel-ondel is not just street entertainment. It carries a long story of belief, tradition, and cultural resilience.

Amid Jakarta’s rapid modernization, these puppets remind us that the city’s soul lies not only in skyscrapers and traffic, but in its rich, living heritage.

If you ever visit Jakarta, don’t miss the chance to see ondel-ondel in action. It’s not only fascinating — it’s a doorway to understanding the local spirit that continues to thrive in today’s fast-paced world!

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